DUDE, I CAN SHRED!!! BUT WHAT NOW???
Ok, the last case is good if you know harmony. Letīs face it...there are some
gifted people who can simply play above an harmony and sound good, even know
they have no idea of what theyīre doing, but that doesnīt work for most of us!
Well..if you just take a scale and go it up and down as fast as you can, for me,
is the same as taking a dictionary and saying word by word from A to Z as fast
as you can.
But if you KNOW the words and HOW TO USE IT, you can form beautiful sentences.
Once again, you have to KNOW the words... if you donīt KNOW enough, you canīt
use them properly. The same for music...if you have a good technique, you can
use it in service of your music, but first, you need to be in a good level. Most
of instrumentalists who likes to play fast usually mentions classical composers
as their influences. Ok, thatīs great, but when we say CLASSICAL MUSIC
suddenly a few melodies comes to our minds... and I bet 99% of us think about
ODE TO JOY from Beethovenīs 9th Symphony. Come on... thatīs really
simple! A 5 year-old child can play that! But it is perfect and beautiful! Yeah,
of course Beethoven has his fast-playing moments, and thatīs not all the time!
Now, back to the harmony, it can fit in two keys: C# Aeolian and B Aeolian.
It
cannot be C# minor and B minor, īcause those keys doesnīt have the major 7th.
E major and D major would be closer answers, but thatīs still wrong.
Now
here are the scales you can use on each chord:
C#m
Bb major (C#m is the 2nd; sounds Dorian)
A major (C#m is the 3rd; sounds Phrygian)
E major (C#m is the 6th; sounds Aeolian)
C# harmonic minor
C#
melodic minor
A
A major (A is the root; sounds Ionian)
E major (A is the 4th; sounds Lydian)
D
major (A is the 5th; sounds Mixolydian)
B
B major (B is the root; sounds Ionian)
F# major (B is the 4th; sounds Lydian)
E
major (B is the 5th; sounds Mixolydian)
Bm
A major (Bm is the 2nd; sounds Dorian)
G major (Bm is the 3rd; sounds Phrygian)
D major (Bm is the 6th; sound Aeolian)
B harmonic minor
B
melodic minor
G
G major (G is the root; sounds Ionian)
D major (G is the 4th; sounds Lydian)
C
major (G is the 5th; sounds Mixolydian)
I
believe most of you are not familiar with this kind of study, but, believe me,
thatīs really good! This is the RIGHT way to use the modes... but, please, never
forget to listen to your HEART. You donīt need to be a slave of this kinda
approach. Maybe you just feel like playing a single note per chord, and itīs the
minor 2nd... whatīs wrong with that? The rules are made to be broken!
Click here to listen to my solo
Even know Iīm shredding, you can still hear melodies, themes, etc.
So,
thatīs it... and the EXERCISE is to create your own solo using the harmony
above. I wonīt show you any licks or exercises for now, but I promise in the
next one, I will. Itīs time to know how CREATIVE you are. If you can shred,
thatīs good, but now show me HOW you use your technique. It is quite easy to run
the scale up and down...I want you to make MUSIC. And, once again, CREATIVITY
doesnīt mean LACK of speed, or NO-SPEED AT ALL, it means USING SPEED AS A TOOL.
Iīd really like to hear what you did, so, if you want, record it and send in the
following address:
bill_hudsongtr@yahoo.com
Thatīs all for now... hope you like it. Feel free to e-mail me if you have any questions, doubts, or just want to keep in touch!!!
ROCK ON!
BILL HUDSON