DUDE, I CAN SHRED!!! BUT WHAT NOW??? 

 

Hey there! My name is Bill Hudson and this is my first column at Insane Guitar, hope you like it. Iīll be writing columns & tips about composition, technique, improvisation, harmony, 7 Strings guitar, and of course, SHREDDING!!! But the first one is about something really important to me: HOW to shred!! After weeks, months or years of non-stop practicing, you need to make music using what you learned and, believe me, thereīs a lot of guitarists out there who can play really fast but simply canīt play music. Iīm not saying speed isnīt important, it is! I actually spent many years developing speed. I was in an Yngwie Malmsteen tribute band at the age of 13! But a couple of years later, I learned that our music canīt be in service of our speed, but the speed MUST be in service of our music. It happened EXACTLY when I heard Kee Marcelloīs guitar solo in SUPERSTITIOUS, by EUROPE. If you never heard this song, download it and see what Iīm talking about. It has a great melody and phrasing, but he still shreds when necessary!!! 

 

So letīs play a game here.

Hereīs how the harmony goes: 

 

|: C#m A E B | C#m A B % :|: Bm G D A | Bm G A % :|  

 

Click here to listen! 

 

As you can see, we got a simple and traditional hard rock/heavy metal progression. Letīs create a solo: 

 

There are a few ways to do that: 

 

  1. Think of the key and play as fast as you can.

 

 

  1. Think of each chord separately so you can use the right notes on the right chord.

 

 

  1. Let your heart tell your fingers what to do, but your ears has to help you.

 

 

 

gifted people who can simply play above an harmony and sound good, even know they have no idea of what theyīre doing, but that doesnīt work for most of us! Well..if you just take a scale and go it up and down as fast as you can, for me, is the same as taking a dictionary and saying word by word from A to Z as fast as you can.  

 But if you KNOW the words and HOW TO USE IT, you can form beautiful sentences. Once again, you have to KNOW the words... if you donīt KNOW enough, you canīt use them properly. The same for music...if you have a good technique, you can use it in service of your music, but first, you need to be in a good level. Most of instrumentalists who likes to play fast usually mentions classical composers as their influences. Ok, thatīs great, but when we say “CLASSICAL MUSIC” suddenly a few melodies comes to our minds... and I bet 99% of us think about “ODE TO JOY” from Beethovenīs 9th Symphony. Come on... thatīs really simple! A 5 year-old child can play that! But it is perfect and beautiful! Yeah, of course Beethoven has his fast-playing moments, and thatīs not all the time!
 

 

Now, back to the harmony, it can fit in two keys: C# Aeolian and B Aeolian.

It cannot be C# minor and B minor, īcause those keys doesnīt have the major 7th. E major and D major would be closer answers, but thatīs still wrong. 

 

Now here are the scales you can use on each chord: 

 

C#m 

 

Bb major (C#m is the 2nd; sounds Dorian)

A major (C#m is the 3rd; sounds Phrygian)

E major (C#m is the 6th; sounds Aeolian)

C# harmonic minor

C# melodic minor 

 

A 

 

A major (A is the root; sounds Ionian)

E major (A is the 4th; sounds Lydian)

D major (A is the 5th; sounds Mixolydian)  

 

B

 

B major (B is the root; sounds Ionian)

F# major (B is the 4th; sounds Lydian)

E major (B is the 5th; sounds Mixolydian) 

 

Bm 

 

A major (Bm is the 2nd; sounds Dorian)

G major (Bm is the 3rd; sounds Phrygian)

D major (Bm is the 6th; sound Aeolian)

B harmonic minor

B melodic minor 

 

G 

 

G major (G is the root; sounds Ionian)

D major (G is the 4th; sounds Lydian)

C major (G is the 5th; sounds Mixolydian) 

 

I believe most of you are not familiar with this kind of study, but, believe me, thatīs really good! This is the RIGHT way to use the modes... but, please, never forget to listen to your HEART. You donīt need to be a slave of this kinda approach. Maybe you just feel like playing a single note per chord, and itīs the minor 2nd... whatīs wrong with that? The rules are made to be broken! 

 

Click here to listen to my solo

 

Even know Iīm shredding, you can still hear melodies, themes, etc.

So, thatīs it... and the EXERCISE is to create your own solo using the harmony above. I wonīt show you any licks or exercises for now, but I promise in the next one, I will. Itīs time to know how CREATIVE you are. If you can shred, thatīs good, but now show me HOW you use your technique. It is quite easy to run the scale up and down...I want you to make MUSIC. And, once again, CREATIVITY doesnīt mean LACK of speed, or NO-SPEED AT ALL, it means USING SPEED AS A TOOL. Iīd really like to hear what you did, so, if you want, record it and send in the following address: bill_hudsongtr@yahoo.com 

 

Thatīs all for now... hope you like it. Feel free to e-mail me if you have any questions, doubts, or just want to keep in touch!!!

 

ROCK ON! 

 

BILL HUDSON